Extend the capabilities of your professional hardware. Its just so convenient when shooting run-and-gun video. Everything above ISO 4,000 needs some noise reduction and everything above ISO 8,000 is not salvageable. With this system, you can also do things like adjusting the depth of field in real-time as the variable ND will compensate automatically when you make changes to the f-stop. When I asked Sony directly if the FX6 was using the same sensor as the a7S III, the response I got was- The sensors in both cameras utilize the same technology.. 4.00 (72 pages), Sony solid-state memory camcorder operating guide (112 pages), Manual will be automatically added to "My Manuals", Step 2: Using a Battery Pack or AC Adaptor, Step 4: Attaching the Handle, Accessory Shoe, Microphone, LCD Screen, and Grip, Step 5: Turning on the Camcorder and Setting the Date and Time, Step 6: Adjusting the LCD Screen and Viewfinder, Continuous Recording on the Memory Cards (Relay Rec), Recording Movies Using both Memory Card a and B (Simul Rec), Changing the Setting of the START/STOP Button and Handle Record Button, Using Automatic Focus/Fixed Focus Temporarily (Push Auto Focus/Focus Hold), Focusing on a Detected Face (Face Detection), Changing the Recording Setting/Image Size, Selecting the File Format and Recording Format, To Adjust the Amount of Light (ND Filter), Slow & Quick Motion/Super Slow Motion Recording, Recording Sound from the Internal Microphone, Recording Sound from an External Audio Device, Recording with a Multi-Interface Shoe-Compatible Microphone (Sold Separately), Assigning Functions to the ASSIGN Buttons/Dial, What You Can Do with the Wi-Fi Function of the Camcorder, Connecting the Camcorder to an Android Smartphone Equipped with the NFC Function Using One-Touch Connection, Using a Smartphone as a Camcorder Remote Control, Connecting Without Using the NFC Function (Android), Connecting Without Using the NFC Function (Iphone/Ipad), Selecting Suitable Settings Automatically (Full Auto Mode Setting), Customizing the Picture Quality (Picture Profile), Preventing Accidental Operation (HOLD Switch), Reviewing the most Recently Recorded Scene (Last Scene Review), Changing/Checking the Settings in Your Camcorder, Checking the Camcorder Settings (Status Check), Preventing Data on a Memory Card from Being Recovered, Settings to Adjust Your Camcorder to the Recording Conditions, Recording Settings, Input and Output Settings (REC SET/VIDEO OUT), Settings for Audio Recording (AVCHD AUDIO FORMAT/XLR SET, Etc. A) I wouldn't recommend that TC box. Unlike conventional optical ND Filters, the electronic ND Filter on the FS5 can be controlled from 1/4 ND to 1/128 ND linearly. It has also has two XLR inputs and a hot shoe. The FX6 clearly does step on the toes of the FX9, and I think it had to given the feature set of the recently announced a7S III. The thing to be aware of is that, because of the new color science, footage from the original FS5 and the new Mark II wont match out of the box. The FS5 is built around a high-sensitivity 4K Super35 Exmor CMOS Sensor that offers all the benefits of a large format sensor in combination with the exceptional image readout speeds required for 4K motion-picture shooting and super slow motion. FS5 II also offers High Frame Rate (HFR) cache recording at Full HD 10bit 4:2:2 image quality . Fujifilm X-H2S review: Fujifilms affordable ProRes 6.2K beast. At first, the grip felt strange because it requires multiple fingers to operate. The FX6 is going to start shipping around the same time as the Canon C70 which it is undoubtedly going to be compared to. If youre used to DSLRs and mirrorless cameras, then you might also be happy to find that the FS5 is not bogged down by having a 30 minute record time limit, a short battery life or any overheating issues, and it has 2 XLR inputs. Partner with us to reach an enthusiastic audience of students, enthusiasts and professional videographers and filmmakers. SDI Output: 1 x BNC HD/3G-SDI It features a regular E-mount. Weight Body Only: 29.2 oz / 827.8 g Read our article How to Use Log Video to Gain More Control Over Your Image to learn more about shooting with a log curve. The peer to peer support community for media production professionals. The Electronic Variable ND system on the Sony cameras is a really impressive feature. ), Slow & Quick Motion and Super Slow Motion Limitations, Camcorder Sony PXW-FS5M2 Operating Manual, Camcorder Sony PXW-FS7 Operating Instructions Manual, Camcorder Sony PXW-FS7M2 Operating Instructions Manual, Camcorder Sony PXW-X400 Instructions Before Use, Page 19: Step 2: Using A Battery Pack Or Ac Adaptor, Page 24: Step 4: Attaching The Handle, Accessory Shoe, Microphone, Lcd Screen, And Grip, Page 31: Step 5: Turning On The Camcorder And Setting The Date And Time, Page 32: Step 6: Adjusting The Lcd Screen And Viewfinder, Page 34: Step 7: Adjusting The Angle Of The Grip, Page 39: Continuous Recording On The Memory Cards (Relay Rec), Page 40: Recording Movies Using Both Memory Card A And B (Simul Rec), Page 43: Using Automatic Focus/Fixed Focus Temporarily (Push Auto Focus/Focus Hold), Page 45: Focusing On A Detected Face (Face Detection), Page 46: Changing The Recording Setting/Image Size, Page 49: Adjusting The Iso Sensitivity/Gain, Page 51: To Adjust The Amount Of Light (Nd Filter), Page 56: Slow & Quick Motion/Super Slow Motion Recording, Page 62: Recording Sound From An External Audio Device, Page 63: Adjusting The Audio Recording Level, Page 66: Downloading "Content Browser Mobile, Page 67: Using A Smartphone As A Camcorder Remote Control, Page 68: Connecting Without Using The Nfc Function (Android), Page 69: Connecting Without Using The Nfc Function (Iphone/Ipad), Page 89: Using The Gamma Display Assist Function, Page 91: Preventing Accidental Operation (Hold Switch), Page 92: Inverting The Lcd Screen Display, Page 96: Changing/Checking The Settings In Your Camcorder, Page 97: Checking The Camcorder Settings (Status Check), Page 99: Selecting Jacks For External Output, Page 111: Preventing Data On A Memory Card From Being Recovered, Page 112: Repairing The Image Database File, Page 149: Warning Indicators And Messages, Page 153: Function Limitations When Recording, Page 154: Slow & Quick Motion And Super Slow Motion Limitations, Page 155: Proxy Recording Supported Formats, Page 158: File/Folder Structure On The Memory Card, Page 161: About Handling Of Your Camcorder. Given the FX6 has Cinetone, in theory, it should match up pretty well with the FX9. Chris Monlux is a native of Northern California and is Videomakers Multimedia Editor. The viewfinder is OLED and, in times where the LCD fell short, it was nice to have another option. So whether buying new lenses, or making use of lenses youve already purchased, the FS5 makes it easy. Future-proofing my footage is a ridiculous argument especially considering the majority of peoples work isnt something that needs to be preserved and shown in 20 years time. See how it performs with stunning low-light shots and slow-motion footage, "You're dealing with 2,000-degree glass a few inches from your hands, so you do have to be careful", Go behind the scenes with Den Lennie and Mick Jones on Sony's first official PXW-FS5 shoot. As far as form factor and price are concerned, the closest cameras are arguably the Canon C70, RED KOMODO, and Z CAM E2-F6 Full-Frame 6K Cinema Camera. Even though the FX6 only has two physical audio control dials on the body, it is still capable of recording up to four channels of audio. Eye-popping specifications and marketing hype sell cameras, and the FX6 certainly has a lot of that going for it on paper, despite the fact that it is only a 4K camera. Sony doesnt specifically state what the bitrate is when recording UHD at 100 or 120P. V2 or above firmware required. Sony has literally done what a lot of people were hoping they would do. Low budget filmmakers, semi-pro videographers or hobbyists probably wont get enough benefit out of the FS5 to justify the cost. If you need higher frame rates than that, youll need a specialty camera. You cant have your cake and eat it too. A large proportion of working professionals buying and using cameras in this price range are not being requested to shoot in resolutions above 4K. The FS5 has two XLR connectors so even if you remove the handle with its standard, easy-access XLR connector then a second on the body is still available, making it ideal for applications such as shooting in a confined space, such as a car interior, or when mounting on a gimbal. Given the target audience for the FX6, this is something a lot of users are going to appreciate. Those these features are available as upgrades for the original FS5, they each came with a $500 price tag. For wider shooting, the 16-35mm F.2.8 G-Master lens would work well. Sony PXW-FS5M2 4K XDCAM Handheld Camcorder with 18-105mm f/4 G OSS Lens These include: Essentially, the only real advantages the a7S III has is that it can take photographs and it has a built-in EVF. It has also has two XLR inputs and a hot shoe. Audio functionality is very important, especially with cameras that are being aimed at solo operators. There are a few notable changes between the two cameras, namely a different codec with XAVC Long, 4K shooting in only UHD without the option for DCI 4K and a built-in variable ND with the addition of a linear adjustment from 1/4 to 1/128. Here is the rub with having to use the Shogun Inferno or Odessey 7Q to capture better video: Its bigger than whats needed. That 1/4 to 1/128 stop ND can slide through the stops, offering the perfect ND for any exposure. Is it everything on you want? The FS5 II is the obvious next step when moving out from behind the photo first camera that can shoot video to a camera designed specifically for video capture. 18.0 W (while recording XAVC-I QFHD 59.94p, SEL24105G Lens, Viewfinder ON, not using external device). The FX6 doesnt feature any type of IBIS, instead you need to use post stabilization to improve shake. When loaded with two cards, the FS5 can simultaneously record proxy files along with your desired resolution with the same name and timecode. It is the cheapest interchangeable-lens cinema camera that shoots 4K. Along with timecode you also get a 12G/6G/3G SDI output and a full-sized HDMI output. AC Adapter: 12 VDC Should you purchase the Canon EOS R8 for video? ), Settings for the Wi-Fi Function (CTRL W/SMARTPHONE, Etc. The FS5s E-Mount can take cinema lenses and SLR lenses with a third-party adapter, as well as Sonys E-mount and A-mount lenses. Its small size makes it suitable for solo operators, although, it may be a difficult camera to shoulder mount. The FX6 weighs in at 890g / 31.39oz (body only) which makes it just 60g heavier than the FS5 M2. This seems to be a reasonable price given its feature set. Five-level AF subject shift sensitivity ranges from locked-on, ignoring other moving subjects in the frame, to responsive that switches focus from one subject to another. Chris Monlux Videomaker's Multimedia Editor. Maybe not, but it might just be everything you need. Ill say it again just in case you missed it. Lets compare the two (at least on paper). With the end trigger recording, you can tell the camera when to end the shot and it will record the few seconds before that. Does anyone know if the Sony Fs5 has a timecode input (even if it is optional like the fs7)? Like what we do and want to support Newsshooter? Key Features Ninja V+ 5.2" 8K HDMI Recording Monitor Accessory Kit with Batteries & Charger Screen Protector, Sun Hood, Travel Case Master Caddy II, SATA III Cable Add a full monitoring and recording kit to your camera rig with this Atomos Ninja V+ Deluxe Starter Kit put together by B&H. Its easy to love this camera. That gives you the ability for 40x slowmo impressive! Look, not everyone will agree, and some users will prefer the form factor of a mirrorless hybrid for shooting video, and there is nothing wrong with that. Set the Output Volume at Mic or Line, just make sure it is the same on the Tentacle and the Audio input. The variable ND can be adjusted to provide between 2 and 7 stops of ND. While they have tried to differentiate the FX6 and the FX9 by using different sensors, the lines have been blurred and this may well-upset owners of the FX9. Below you can see: At $5999.99 USD it is basically the same amount as a RED KOMODO and around $500 USD more than a Canon C70. The advanced image stabilization information means handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software in post-production to look smoother. With a maximum bit rate of 100 megabits per second in UHD 4K, it can also capture up to 120 fps in 1080. Above you can see how much higher up it is positioned when compared to the FX9. Because of its handle, it was easy to carry when not shooting. Headphone: 1 x Stereo mini jack In a lot of ways, the FX6 is a blend of both the FX9 and the a7S III. On the other hand, part of the benefit from the newer S-log3 is its capability to work with more than 14 stops of dynamic range, so its advantages are wasted on cameras with a smaller dynamic range. Solid-state memory camcorder firmware update ver. Media Card Slots: 1 x MS/SD (dual Memory Stick/SD) Plus, the FS5 will shoot UHD 4K in 24 and 30 fps at 100Mbps. It has a power zoom function with a consistent aperture through the throw of the lens. Sony was also keen to stress that all of the cameras in the Cinema Line have similar color science and that they have all been designed to match. The FX6 is an intriguing camera and its release signals that Sony has had to reconsider its strategy when it comes to producing cameras that start to overlap with some of their higher end options. Along with the two XLR inputs on the camera handle, the camera also has a MI shoe that allows you to attach the Sony XLR-K3M Dual-Channel Digital XLR Audio Adapter. Whether or not this is the same sensor that is in the a7S III is fairly likely. Also available is FS5 II which has continuous 120fps HFR recording in Full HD and FS RAW output as standard plus an enhanced creative look. I am assuming that just like with the a7S III, that you will be able to record to both card slots simultaneously if you want to. Sensitivity ISO Rating: 3200 (S-Log3 Gamma) You need to be aware that the FX6 does not come with an external microphone. The FS5 II is the obvious next step when moving out from behind the photo first camera that can shoot video to a camera designed specifically for video capture. The FX6, at least in my opinion, pretty much offers everything that most users of a camera like this will need. Yes, Sony did release the full-frame E-mount NEX-VG900way back in 2012, but that was a different kettle of fish. Because the camera is smaller, the LCD appears larger in scale. Is the FX6 the camera you have been waiting for? The sensor delivers 14 stops of dynamic range and can shoot up to 960 fps in burst mode. It will be interesting to see how many potential FX9 buyers will now be rethinking their decision. Also available is FS5 II, which has continuous 120fps HFR recording in Full HD and FS RAW output as standard plus features enhanced creative look. If the camera you currently own is perfectly satisfactory for the type of work you do and is acceptable for the clients you have, then there is no need to purchase a new camera. Most manufacturers exaggerate their cameras real dynamic range. Lets have a look at how the Sony FX6 compares to these other options. The camera is about the size of a grapefruit, and the body only weighs 1.8 pounds. And once attached, the positioning of the screen can be freely adjusted for example, either beside the camera body or directly along the axis of the lens. I just had the thought that maybe there was a way to record 4 channels via the xlr inputs and possible the hotshoe with sony's fancy receiver, or some combo that I hadn't figured out yet. All of these cameras were released at a time when they didnt have any direct competition. ND Filter: Variable: 1/4 to 1/128 Presets: Clear, 1/4, 1/26, 1/64 It will pick up room noise. Each profile can be individually adjusted to suit your specific requirements and switched between in seconds. SONY PXW-FS5 OPERATING MANUAL Pdf Download | ManualsLib A detachable Smart Grip puts all of the FS5s key functions at your fingertips and is easily adjusted with the press of a single button. Sigma offers Sony E mount zooms for those who are on a budget but still want high quality. Let us know in the comments section below. This way you can also add two additional XLR inputs to the camera as the audio signals are passed through the MI shoe. If its a video-centered interchangeable-lens camera you are after, the FS5 is best in its class. Given the small megapixel count, this camera will only ever be capable of recording in resolutions of 4K. Above you can see the difference between a standard sensor (on the left), and a back-illuminated sensor on the right. Even though it falls under the Cinema Line this camera is very much a blend of the Cinema and alpha cameras. Just how this will affect the use of 15mm rods and positioning a matte box correctly will be interesting to see. This is something you need to keep in mind long term, even though I personally think 4K will be fine for many years to come. Lastly, there is a dial for easy change of the aperture or other controls. The larger screen is nice, but not always necessary. The grip and the monitor make the camera easy to operate if you have to shoot at low or high angles. Switches and knobs are not valued highly enough when evaluating many small form factor detachable-lens cameras. FS5 II is Sony's Super35 handheld camcorder with stunning 4K HDR and 120fps performance. I was wondering if anyone on this forum might assist me resolve this issue. When you need dynamic range, shooting in log is the way to get it. Sony FS5 Audio Controls Audio Inputs The camera has a built-in stereo microphone on the handle. This did not work. On paper, it is hard to find fault with the FX6. There is also a ND auto button just like on the FX9. The focus ring was slow to respond and offered very few degrees of rotation, making find focusing difficult. Higher frame rates of 480fps and 960fps are also possible at specific resolutions. I was wondering if anyone on this forum might assist me resolve this issue. However, because it doesnt allow for internal 10-bit 4K video, youll need to purchase a monitor/recorder to get the most out of it. Sony PXW-FS5 4K Super 35 Camera Body - E Mount | AbelCine The XLR inputs are located on the handle, so if you remove the handle you will lose those inputs. ), Display Settings (MARKER/DISPLAY OUTPUT, Etc. Read our article. That is why Sony will continue to sell the FS7 M2 and FS5 M2. When youre shooting lots of videos, you need XLR audio inputs, full manual control via external buttons and a record time limited only by the size of the media. If you are primarily shooting video, then items such as built-in electronic variable ND, XLR inputs, SDI In, Timecode In/Out, better cooling, LUTS, and form factor make a big difference. FS5 is all about choices. Amazing shots are captured using a drone, gimbal, car-mount and more that really demonstrate the flexibility of this super-lightweight, modular 4K camcorder, An on-location interview with Producer Den Lennie and DoP Mick Jones reveals what impressed them most about what they call the little brother to the FS7, Den Lennie and Mick Jones use Sonys extraordinary PXW-FS5 to shoot stunning visuals from New South Wales, Australia, From sunny beach scenes in Sydney, Australia to night-time Tokyo, test footage with a variety of different lenses and exposures reveals the quality of Sonys FS5. It now joins the FX9 and the VENICE in Sonys professional digital cinema line-up. This allows you to access menu features and make changes to certain camera parameters. The FX6 has a massive cooling system that takes up a lot of space within the camera. With 960 fps being the fastest frame rate, it also offers 240 and 480 fps. It is interesting to see that Sony has decided to give the FX6 timecode In/Out capability through a dedicated BNC connector. You have to do this in the menu on the FX6. 6 hours, 40 minutes [60i], XAVC QFHD : MPEG-4 AVC/H.264 4:2:0 Long profile, XAVC QFHD (3840 x 2160) @29.97p, 25p, 23.98p 100Mbps/60Mbps, 0.16Lux [60i] IRIS F1.4, GAIN Auto, Shutter Speed 1/24), 1000 TV lines or more (1920 x 1080i mode), XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable, BNC type (x1), SD/HD/3G (Level-B) selectable, 1.0 cm (0.39 type) OLED Is historical content not being shown anymore because it was captured in black and white, or 4:3 or SD? Next, is the Panasonic EVA1 at $7,400. There really isnt much in between. Because of the low megapixel count, the sensor readout is extremely fast, and this means that the rolling shutter will be almost non-existent. For our review, we shotmostly on the Sony G-Master 24-70mm f2.8 lens. To appease FX9 owners, Sony could possibly enable a 6K output and let you output RAW directly over SDI instead of using the XDCA-FX9. At the same time as the FS5 II was announced at NAB 2018, Apple announced ProRes RAW, made possible with a few partners including Atomos and the Shogun Inferno. encoding is also available. In no real surprise, that the FX6 doesnt have the same locking E-mount from the FS7 M2 and FX9. Just like on the FX9, the FX6 has the same touchscreen operation available from its LCD screen. Create Your Profile on Creative COWs Resume Board. S-log2 offers more dynamic range to cameras with 14 stops of dynamic range or fewer. The adjustable LCD screen was easily rotated into a storable position. The Sony FS5 II is no revolution from the prior version, however, its still one hell of a camera. Just look at the F5, F55, FS5, and FS7. Whichever option you choose, a phenomenal fourteen stops of exposure latitude ensures the highest fidelity in capturing highlights and details within shadows. The AF system is also claimed to work really well in low light situations. The Sony FS5 II has so many great qualities, including its price. Just because a new camera comes along, it doesnt make the camera you already have obsolete. The FS5 features Sonys unique built-in electronic variable Neutral Density (ND) filter, further expanding the depth of field capability of its large format sensor. We were especially happy with the weight of the camera. The C200 costs $7,500 and captures internal 10-bit to Canon RAW light. The C-100 Mark II is a bit cheaper but doesnt offer 4K. However, its the heaviest and least portable camera at 5.1 pounds. The 8-second cache recording means no more mis-timed shots leading to extra takes. Page 19: Attaching The Microphone The grip itself is easy to attach and can be installed with one hand holding the camera and the other the grip. A camera with fewer high-end options and a lower price tag might fit the bill a lot better. There is also a smart grip that again looks very similar to the one that was found on the FS5. Each stop offers a bit more noise until you get to ISO 3,200, where it starts to be noticeable. The 35mm Equivalent is 27-158mm. Videomaker is always looking for talented, qualified writers. The camera is impressive, and for shooters who need their tools light and ready for anything, the Sony FS5 II is a camera that shouldnt be overlooked. Its our most affordable Super 35-mm camcorder, but its fully upgradeable. With these upgrades installed the FS5 becomes a FS5ii, minus PP1. Sonys -mount system offers unsurpassed compatibility with third-party lenses, including DSLR, making FS5 a natural next step for creators migrating from stills to professional video production. It is unclear whether you need the CBK-WA100/101 Wireless Adapter to be able to do this. Now, the big upgrade to the capability of this camera is what it can do when video is captured externally. Continuous 120fps high frame rate recording in Full HD. It records via SD card and is equipped with two card slots. The only monitoring for the camera comes in the form of the 3.5 1280720 LCD touchscreen. GoPro HERO11 Black review: Should you upgrade? The quick switches for ISO and white balance make going in and out of different lighting situations easy. It features 14 stops of dynamic range, applicable to both raw and XAVC recording as long as S-Log is turned on, for truly filmlike rendering of highlights . This alone makes the FX9 a more appealing proposition for certain shooting scenarios. Because the camera needs to operate at a high ISO all the time, applying the ND in more than just a step at a time is very nice. FS5 Handheld Camcorder - 4K HDR - Sony Pro When I brought some test footage into Premiere -- XAVC 1080p -- I noticed there are four audio channels. Here are the ways of getting four channels of audio: The FX6 also features a stereo onboard microphone in the body of the camera itself. This is something that we are now slowly starting to see appear on lower priced digital cinema cameras. What is your reaction to this announcement? The EVA1 is heavier than both the C200 and FS5 II at 4.5 pounds naked. Sony did a lot of things right with the FS5 that, in our opinion, they got wrong with the FS7. GoPro HERO11 Black review: Should you upgrade? Quite apart from the camera's somewhat over-rated 4K capability, Sony's diminutive FS5 boasts 10bit internal HD recording, built-in ND filters, a 14 stop Dynamic Range in S-Log mode, Phantom powered XLR audio inputs and a smooth, proportional servo zoom rocker; the latter being a perfect match for my new 18-110mm zoom and an essential element . It also rotates and moves very easily. The dedicated 627-point phase-detection AF sensor covers approximately 95% in width and 94% in height of the imaging area. Take a similar-sized sensor to the a7S III and put it into a larger body with XLRs, SDI, Variable Electronic ND, and TC In/Out. The internal capture was good, too, but video captured externally was exceptional. Matthew Allard is a multi-award-winning, ACS accredited freelance Director of Photography with over 30 years' of experience working in more than 50 countries around the world. It is the cheapest interchangeable-lens cinema camera that shoots 4K. We dont think this is a huge issue because most viewers these days are inundated with video from multiple cameras on a daily basis. Sony has priced the FS5 II very well. Page 26 Sony FS5 Audio Controls. FS-5 Audio Channels : r/videography - Reddit Any third party loupe that works with the FX9, or the actual loupe for the FX9, will work with the FX6. If you want an FX9 sensor with FX9 features, buy an FX9. Just what the actual real-world difference will look like between the FX9 and FX6 will be interesting to see. Any time we needed to use the menu it was fast and responsive. Wed love to see every camera offered with this option. All of these cameras offer different features and functionality. Once we began shooting, there was no avoiding what we experienced first when shooting in S-Log3: a minimum ISO of 3,200. What is quite strange is that the positioning of the sensor and the lens mount seems to be quite high up on the body of the camera. This proprietary Sony technology significantly extends your ability to get closer to a remote scene while preserving image quality. Below you can see what is possible to do. Unless you step up to a FS7 (but even that needs the XDCA back for TC) or a F5/F55. We first noticed the cameras ergonomics, influenced by both its weight and the grip integration. Back-illuminated technology places the metal wiring of the photodiodebeneaththe diode instead of above it. Gain Selection: 0, 3, 6, 9, 12, 15, 18, 24,27, 30dB, The picture quality is superb and the form factor is easy to use. HVL-LBPC light does not draw power from FS5. Unlike the FX9 that has controls for four channels of audio, the FX6 only has physical controls for two channels of audio. The first camera was the a7S III. USB: 1 x Multi/Micro The FS cameras dont record audio channels in stereo pairs: Channel 1 is a mono track, Channel 2 is a mono track, etc., so youll need to route each mic to an individual audio channel. The Sony FX6 is very similar in some respects to the competition but different in others. It looks very similar in a lot of ways, however, you will notice that there is no longer an EVF on the back. **Paid upgrade. Unlike in-camera or lens stabilization, metadata generated by the FX6s built-in gyro allows you to creatively choose the balance between the level of shake compensation, and the resolution. The Type A card is the slowest of the three standards. Youre probably thinking of the channels as stereo pairs, with each Plus, Sony even upgraded the already great built-in neutral density filter. Sony PXW FS7 and Tentacle Sync setup It drastically changes the center of gravity, so handheld shooting is much different with the monitor. The ND makes keeping the shallow depth of field in high lighting situations a cinch. In some ways releasing a camera in 2020 that can only record 4K when a lot of your competition is doing 6K and 8K might at first seem like a strange decision.